Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here. Additional grades are available upon request.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

Benjoet is a fun and whimsical paint brushed display font. This font is perfect for children themed designs, especially when combined with bright colors.

Jan Koller designed the Banner typeface family especially for the creation of animated web banners. Banner is best used at 80p without antialiasing. The family comes in 24 styles which, in combination, create great, unusual screen effects. Three different animation modells provide the basis: extrusion, cutting in/out by ‘pixelation’, outline pixel rotation. The available flash clip listed in the Related Links below demonstrates some of the effects. Take a look! The swf clip runs in any web browser (drag & drop) but you need the flash player plugin. Apart from animation use, Banner also works well in print. Since all 24 styles are identical in width and kerning, you can set several styles on top of each other, maybe using different colours for each style. Look at the nice effects yourself!

All-caps script with swashes in upper case, and ligatures. And outline with same metrics, so the oulines fit snuggly on top of the book-variant.

Gustav Jaeger's Becket typeface embodies a retro-medieval aesthetic. Base letterforms that might have been at home with a writer of Irish uncials have been streamlined according to late 20th century tastes to create a timeless effect. Becket is the perfect font to set headlines and logos for clients in the music industry.

Bandet includes both a script and display weight, which are beautiful and unique, a model of modern calligraphy typefaces, working well in combination. Languages supported: Breton, Catalan, Czech, Danish, Estonian,French, German, Hungarian, Icelandic, Italian, Romanian, Scottish Gaelic, Slovak, Latvian, Lithuanian, Norwegian, English, Finnish, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Welsh. Basically, all European languages that are based on latin alphabet Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, labels, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

Binnek is the perfect font for any sporting event. This font, combined with the immense popularity of outdoor sports, has generated a huge demand for typography solutions suitable for use in outdoor advertising media. Binnek features 6 different styles from sans, and slabs, to sharp edges, as well as beveled variations, the result is a versatile display typeface that can be used in high-speed situations while still taking advantage of a contemporary tone. Using this font also tells everyone that you mean business. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Penney is an All Caps sans Display font. With bold consist stroke, fun character with a bit of ligatures. To give you an extra creative work. Penney font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Penney font. Cheers, Maulana Creative

BERNAT is a unique display typeface perfect for headlines, big text, brandings, logotypes & graphic design purposes such as posters, flyers, and advertisements. This all-caps font can be an excellent choice for creating outstanding logos, promotional content, and marketing presentations that bring uniqueness and freshness. The font is very flexible in terms of your creativity, you can adjust the letterspacing to design unique textual presentations, especially for creating amazing logotypes and branding designs. Please see the examples shown above to get an idea of the capability of this typeface. Extra Features: BERNAT features a Stylistic Alternatives Set of 22 glyphs covering major glyphs which will give you more possibilities to create unique design combinations. The font comes with extended language support including Western European, Central European, and South-Eastern European character sets (a total of 290 glyphs).

Karlgeorg Hoefer designed Beneta in 1991, inspired by the Littera beneventana, the script of the Benedictine scribes from the 10th to the 12th century. During this time, scribes began to use wider pens and set them at a 45 degree angle to the paper, which caused their scripts to have radical stroke contrasts. This script was mainly used for books and certificates but disappeared by the end of the 13th century. Beneta revives the characteristics of this historic script, changing a line of text into an almost ornamental space. Beneta should be used in middle to larger point sizes for shorter texts and headlines.

Bannetters (Banner Letters) was designed to alternate two letter sets. Both sets are formed on parallelograms, with one set of parallelograms sloped upward to the right and the other sloped downward to the right. When alternated, the result is a zigzaggy line of text. In applications that support the OpenType feature contextual alternatives (calt), the two sets of letters are automatically alternated. The Bannetters family has two styles, one with straight outer edges and the other that rounds these shapes for letters that have curved exteriors. Both styles are largely monospaced and monoline (not to mention weird, strange, and unusual). The tiling pattern of text created by Bannetters makes it attention-grabbing and appropriate for signage, posters, advertising, and other uses where eye-catching text is desired.

It is not simple sennit. You know that such Russian lapti? It is footwear plaited of stripes a bark of a linden. My font too all is made from stripes. From the first up to last letter. Funny isn't it?

The calligraphy font Banner was designed by Martin Wait in 1986 and mixes the character of the 1940s with that of the 1980s in its forms. The round and somewhat reserved lower case letters make a balanced basis for the generous capitals. Black outer contours surround a white inner area and are heavier on the right side of the figures, making the characters look as though they have shadows. Banner should be used in point sizes of 18 and larger and is meant for lighthearted short texts or headlines.

Banret is built using simple geometric shapes. It is mostly the result of my experiments on the other font I made earlier in 2016, called Inventor. Font is inspired by old fonts of the beginning of the 20th century. Capital letters are built with one to four proportions. The font has four weights: normal, and bold, and two alternatives: ribbon, and flag. As far as it is a decorative font, it is not designed for large amounts of text. But it is perfect for creating branding elements, logos, slogans and posters.

Tina is another powerful script designed in the style of the classic forties and fifties American advertising fonts.

The symbol family Tips, (which stands for “Type-Image-Piktogramm-Schrift” in German, or type-image-pictogram-font in English) contains six different fonts of pictograms and stylized icons. Tips Active is full of sports pictograms, which are similar to those that were designed for the 1972 Olympic Games in Munich. Tips Astro contains astrological signs. Tips BCom depicts icons for use in business communication or web design. Tips Count is a font featuring numbers inside of various circles. Tips This Way and Tips Travel are both collections of pictograms for use in navigation and other signage systems.

Pia is a new typeface named in honor of one of the most fun people we know, Sophia Williams aka Pia. Extended Character set for multilanguage support.

Tiva is a light and breezy casual script reminiscent of handwriting and packed with contextual and stylistic alternates. This easy and friendly style adds a personal touch to any project. See what’s included! http://bit.ly/2c5Nn4K This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

New, slightly calligraphic sans family with seven weights, Roman and Italic, all with Old Style Numerals and Small Caps, for both headlines and body text use.

Gia is 7 weights, true small caps and unicase options, designed after iconic letterforms of the 1960’s to 1980’s. In the early years of the American tech revolution, when Silicon Valley was more closely identified with Dallas, Texas, a curious type of letterform began to appear—strict in geometry, and curiously minimal in geometry and stroke, making it easier to be read by machine-readers, and people more used to reading machine-generated typography. Coders! As the years went on, this kind of sinewy, curved letterform began popping up in logotypes and music videos and upright video games: NASA, The Buggles, Atari, Pong, Sega, Namco, Stern, Devo, Apple. Gia pays homage to that letterform, and is named after Gia Carangi, the iconic face of early 1980’s pop fashion.

Tiza is a rough take on informal faces and handwriting, brought on by the recent demand for scripts and brush lettering. Its flow leaves traces simulating runny pen ink, which makes it very suitable for handwriting-like paragraphs as well as casual greeting card and invitation setting. The bold weight, Tiza Negra, fits very nicely on book covers as well as large signs. Tiza is the proverbial reminder that typefaces can sometimes be more human than they are normally perceived. Designed by lettering great Angel Koziupa, and digitized and completed for Sudtipos by Alejandro Paul.

Bia Superfamily is a new font creation designed with transitional serif classification, consisting of 100 font styles. It is supported by 85 languages of the Western/Eastern Europe and Turkish region, making it suitable for global use. In addition, Bia Superfamily has features such as numerator, denominator, inferior, modern, and old-style figures. Bia Superfamily features four different classifications in both serif Low & High (Contrast) and sans-serif Low & High (Contrast) variations, including ultra-condensed, condensed, regular, expanded, and ultra-expanded. With its diverse range of font styles, Bia Superfamily offers versatility and flexibility for use in various industries such as skincare, perfume, jewelry, stationary office, newspaper, cover book, web design, sign airport, sign hotel, wedding invitation, and text. Bia Superfamily is the perfect font choice for those who want to showcase a luxurious and elegant feel in their designs. Its professional and elegant characteristics make it stand out and attract attention to any design.

Brazilian designer Eduardo Omine designed his Beret family of typefaces in an attempt to create a warm counterpart to the clean, minimalist sans serif of the 20th Century. The most individual characteristics of Beret are the terminals at the ends of its vertical strokes. They are slightly bent", simulating a subtle flare. Like many classic sans-serif typefaces (e.g., the original Syntax and Univers), this family does not include true (calligraphic) italics. Instead, a masterful set of obliques has been created. As Stanley Morison articulated in the early 1920s and 30s, these slanted versions of the regular "roman" faces may even work better when one wishes to emphasize certain words or passages within a text. The Beret family of typefaces is suitable for numerous applications, in both text and display sizes. The following nine fonts make up the family's design: Beret Light, Beret Light Italic, Beret Book, Beret Book Italic, Beret Regular, Beret Medium, Beret Medium Italic, Beret Bold, and Beret Bold Italic. Beret was awarded an Honorable Mention in the 2003 International Type Design Contest, sponsored by the Linotype GmbH."

Bener is a stylist's elegant display font. Developt was basic in classic serif font brought to stylist with elegant style. Full glyphs uppercase with multilingual characters, perfectly made to be applied especially in logo, wedding, art gallery labels, magazines, greeting cards, fashion or more packaging perfume labels, or any type of promotion.

Since the release of Wood Bonnet Grotesque No.4 the font became popular for packaging and adverts. But the font styles were limited to one worn and one clean font in a medium weight only. Bonnet Grotesque Nr [Narrow] will fill this gap. It’s based on Wood Bonnet Grotesque No.4 but slightly modernized with sharp corners. Some letters need more space now – so tracking is not the same. The Medium family style shares the same weight as the wood font version.

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish Banner Font.

First published in 1939 by Stempel, Renner Antiqua is a classic serif text typeface. Designed by Paul Renner, the father of Futura, this design stands out as strikingly different from his other designs. The letterforms are relatively compact and space saving and the strokes have a strong contrast to look as if made by a pen. This design is extremely distinctive and individualized, but without being overly distracting. Notice many of the small details such as the serifs on the uppercase C, E, and L and the bar at the top of the uppercase A. Also observe the special curve in the bowl of the lowercase b, the dot of the i, and the tail of the y. This design is wonderful for extended amounts of text at 10pt, but the subtle details will be fully appreciated when used larger for titles and display settings.

This font is inspired by the compact, high-impact design aesthetic of the 1990s in Chile, which was defined by the use of very heavy fonts to create eye-catching graphic pieces. With this idea in mind, Zennat Pro was born, a “semi-slab serif” that takes advantage of OpenType features which rotate in alternate characters to best fit the design. Zennat pro comes in 10 weights, and is ideal for magazine design, motion graphics, trademarks, logos, posters, etc. ...

Herald Banner is the newest (as at January 2017) of Greater Albion’s ‘Banner’ or ‘Masthead' typeface. It tales the form of letters on a long heraldic banner twined about a central mace. It is offered in two forms- a conventional monochrome typeface and a set of eight interrelated typefaces designated ‘Colour’ 1 through to ‘Colour 8’. These (and indeed the monochrome face) have identical metrics and can be overlaid to produce multi-coloured lettering with the bare minimum of effort.